With J.R. Smith not ready to return from injury, the Cleveland Cavaliers look to the constant motion and lunging shots of Kyle Korver for offense.
INDEPENDENCE, Ohio - In basketball, your shot defines you.
Golden State's Splash Brothers wrote their names in the record book, not on water. The nickname of the injured Cavalier sharp-shooter, J.R. Smith, "Swish," is his game.
Then there is the curious case of Kyle Korver, the Cavs' new sniper on the run, who sometimes leans, slopes and bends, like a blueprint of an Italian tower gone wrong.
"On a standstill shot, it's more up and down, but a little forward on those shots too," said Korver, who might incline to shoot, but often declines to miss.
The Cavs have had their share of shooters who served by standing and waiting for LeBron James to find them. Years ago, current assistant coach Damon Jones established squatting rights to the last floorboard in either corner.
But Korver, like the Sundance Kid, is better when he moves.
Momentum
"A lot of those shots for me is trying to get my weight going forward. It's not that I'm not really trying to lean or fall forward," Korver said. "I am conscious of getting my weight going towards the basket. Sometimes I'm going full speed sideways. I don't have the greatest balance in the world, I've got these long legs and not so good (athletically). I have to focus on getting my legs and my body going back toward the basket."
Almost all great shooters bring their legs forward slightly when they shoot, except in the case of fadeaway shots. Those with a definite body lean on the release would include J.J. Redick, at times the great Jerry West, and Vinnie "The Human Microwave" Johnson.
The Zone
The goal of all shooters is to find the "open sesame" of body angle, touch and trajectory which, replicated often enough, lets them enter the magical, mystical "zone."
Some number crunchers say the zone, the hot hand, whatever it is called, ranks with unicorns and leprechauns. Players say there's something to it. When Korver made eight of nine 3-pointers against Indiana recently, he was certainly in a torrid zone.
"I don't think it happens as often as everyone thinks," Korver said. "Different people might (make) two shots in a row and they think they're in the zone. So what is the zone? Do you have to hit 10 shots? or is it just a feeling that you have?"
Korver said he's only felt a few times that he was in "the mythical zone, where the basket is three times the size of what it really is. The math says it's not real."
Like a pitcher heartened by getting outs when he doesn't have his good stuff, Korver said, " I always like to make shots when I'm not feeling good. From a technical standpoint, it means I'm shooting the ball correctly."
Rhythm
With the mechanics in synch, he said, " You get in a rhythm, and it's like, 'Let's go.'"
Rhythm is more complicated, however, than realizing a Gershwin song has a good beat.
"We all talk about rhythm. 'I have to find my rhythm,'" said Korver. "Not many of us get to shoot 10 shots a quarter to find our rhythm. I shoot two shots this quarter, one the next, maybe none the third, maybe a couple at the end of the fourth. That's the way my career has always been."
Peaking
Right now, with players in and out of the lineup with injuries and with a new addition such as Derrick Williams trying to fit in, the Cavs have neither found the rhythm nor the optimum in their game.
"It's more the other guys having to adjust to me, rather than the other way around," said Korver, meaning to his nearly constant motion. "The core of this team won a championship last year, and the rest are fitting in. I actually think it's good. I've been on teams that peaked in February."
Even when Smith returns, the Cavs will have to lean on something against the daunting Warriors. It might as well be Korver.